Local spot in one city
The entry point. You pay for airtime on a single city station, and the price per airing is a small share of a network slot, lower still outside peak hours.
If you're weighing radio advertising in Poland, Radio Eska is one of the first names that comes up: a pop music network with dozens of local stations under one brand. Eska radio advertising cost isn't a single number. It swings with the market you target, the hour, the spot length and how many airings you buy, and this guide walks through each lever.
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Key takeaways
Before you read on
What to know
Eska runs as a national brand with local splits. The same frequency carries shared network programming, yet each city station can air its own ad breaks. That setup lets a bakery in Poznan buy a few local slots while a national retailer books the entire network, and the two quotes live in completely different worlds.
Morning and afternoon commutes, the drive time radio window of roughly 7 to 9 a.m. and 4 to 6 p.m., sit at the top of the rate card. People listen in the car and at work, so the station charges for that attention. Late-night and weekend slots cost a fraction as much, and published Eska price grids show Sunday as the cheapest day of the week.
Thirty seconds is the reference length. Shorter spots are priced with a multiplier, commonly around 0.7 for 15 seconds, and a 60-second spot costs more than a 30. Sponsoring the weather, the news or a named show follows its own price list, because your brand gets tied to something listeners already like.
Good to know
The entry point. You pay for airtime on a single city station, and the price per airing is a small share of a network slot, lower still outside peak hours.
One airing heard across several cities or the whole country. Weekday mornings are where Eska lists its highest rates, and each Sunday hour sits far lower.
A monthly fee for a steady on-air mention next to a feature listeners tune in for. It usually runs above plain spots of the same length.
A bundle of airings spread over two to six weeks. The total climbs with the number of plays and markets, while the rate for each play drops.
How it works
Radio rewards repetition. A listener who hears your spot once rarely acts on it, and one who hears it on Monday, Wednesday and Friday during the school run starts to recall your name. That's why Eska sales reps and media buyers tend to recommend at least 15 to 20 airings a week, spread across several dayparts so you reach people who commute at different times.
At that frequency, a local push lasting two to four weeks is a manageable line in a small company's budget, while a nationwide flight with the same weekly weight becomes a serious media investment. Budget for frequency first and add markets second: ten plays heard in one city usually beat ten plays scattered over the whole network.
Checklist
Every item below changes the number you'll get back, so settle them first:
Checklist
The details
Usually it doesn't. The station sells time on air, and the commercial itself (script, voice talent, music, sound design and the final mix) is a separate job. A basic read over library music is quick and inexpensive to record; a spot with a known voice actor and an original jingle takes more studio time and a bigger check.
Some Eska packages throw in production as an incentive, particularly longer campaigns. When you talk to the sales office, ask directly whether the quote covers making the commercial or only playing it, and whether a second version for a later flight is included.
In short
15 to 20
airings a week that stations and buyers suggest as a floor
8 to 9 a.m.
the weekday hour with Eska's highest listed rates
0.7
typical rate multiplier for a 15-second spot against a 30
2 to 4 weeks
a common length for a local flight
Step by step
Step 1
Choose one city, a region or the national network. This single choice swings the total more than any other.
Step 2
Load up on commute hours when you want fast reach, or spread plays evenly across the day for a steady presence at a lower rate.
Step 3
Eska sales teams cut the rate for each play when you commit to a larger weekly or monthly bundle, so request two or three volume options.
Step 4
If recording isn't bundled, budget for it and leave a few days for the station to approve the script and the final file.
Step 5
Before launch, set up a promo code, a dedicated phone number or a landing page so you can tie calls and visits back to the airtime.
Before you start
Eska can cost you very little for a handful of local plays or a sizable sum for a national flight, so match the format to your goal and budget rather than booking airtime on impulse. If you'd rather not negotiate with the sales office, write the brief and run the flight yourself, order a free marketing analysis. You'll get a PDF within 24 hours, and a senior project manager with 15+ years in marketing then pairs you with a vetted specialist in radio media buying who has bought airtime before and knows how Polish stations price it. That manager stays your one contact from brief to final report. See how it works.
FAQ
Short answers. The free analysis call covers anything specific to your company.
It depends on the city, the region and the hour. A single local play outside peak time is the cheapest option, while a network spot on a weekday morning between 8 and 9 sits at the top of Eska's rate card. Sunday is the lowest-priced day across the grid.
Yes. Each local station has its own rates, and bigger cities with larger audiences charge more. Buying the whole network costs far more than any single market, because one airing reaches listeners in every city at once.
Usually not. Writing, voicing, music and mixing are billed separately from the airtime. Some longer Eska packages include recording as a bonus, so ask the sales office whether the quote covers making the spot or only airing it.
You pay a monthly fee to have your brand mentioned around a feature such as the weather, the news or a named show. The price depends on how popular the segment is and how many mentions run each day, and it tends to exceed a plain spot of similar length.
Plan on at least 15 to 20 plays a week, spread across different dayparts. Fewer than that rarely builds recall, because most listeners will catch your spot once, if at all, and forget it before they reach a store or a browser.
Yes. The sales team lowers the rate for each airing when you book a bigger bundle or a longer flight. Asking for two or three package sizes side by side is the easiest way to see where the rate breaks and pick the one that fits.
A local campaign of two to four weeks at a healthy weekly frequency is within reach of a small business. A national flight with the same number of weekly plays is a much larger budget, and it grows with every city and peak hour you add.
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