Single 30-second spot outside prime time
The entry level on the schedule; the rate shifts with the weekday and hour, and night slots sit at the bottom of the range.
Polsat is a major Polish commercial network, and it has no single public rate card. Polsat advertising cost swings with the hour, the show, the season and the audience you target, and most buyers pay for rating points rather than individual airings. Here's how the pricing works, what sits outside the airtime bill, and how to plan a realistic budget for TV advertising in Poland.
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Key takeaways
Before you read on
What to know
Polsat prices each break on its own, and the number you get quoted is mostly a starting point for talks. Time of day matters most. The window from roughly 7 p.m. to 10 p.m., around the main news and the network's big series and entertainment shows, is where rates peak. Move the same spot to late night or the early afternoon and you'll often pay a small fraction of that evening figure.
Length comes second. Thirty seconds is the market standard; a 15-second cut costs proportionally less, while 45 or 60 seconds pushes the bill up fast. Season is the third factor. Demand climbs before Christmas and Easter, during election periods and through the fall, when Poles watch the most television. Finally, the program itself counts: a break inside a national team soccer match or the finale of a hit show carries a premium over a quiet daytime slot.
Good to know
On Polish TV you rarely pay per airing. You pay for gross rating points, or GRPs. One point equals reaching 1 percent of your target audience once, say all viewers aged 16 to 49. Ten airings that each reach 5 percent of that group add up to 50 points.
So a campaign is a package of points spread across many breaks, days and shows, not one lucky slot. The price of a point depends on who you want to reach and when. Selective groups, such as women 25 to 45 with higher household incomes, carry a higher cost per point than a broad adult audience. A modest regional or test flight might buy 50 to 100 points, while a national brand push can run to several hundred or even a few thousand.
The details
The entry level on the schedule; the rate shifts with the weekday and hour, and night slots sit at the bottom of the range.
Several times the daytime rate, climbing further next to the highest-rated shows and live sports.
Usually two to four weeks on air; the bill is the point count times the negotiated cost per point for your audience.
Typically planned over a month, where volume starts to earn better terms from the seller.
Often settled quarter by quarter and bought through a media house with annual volume commitments.
In short
30 sec
standard spot length used for rate comparisons
7 to 10 p.m.
the most expensive viewing window
50 to 100 GRP
smallest purchase that makes sense for a test
10 to 15%
common discount on bigger airtime budgets
A closer look
List rates are where negotiation begins. A media buying agency that books airtime for many brands at once typically wins 10 to 15 percent off, and more on big multi-month deals. A company going to the network directly, without that volume behind it, tends to pay close to list unless it commits to a larger package over a longer period.
Then there's the commercial itself. A simple spot built from motion graphics or stock footage is a modest line; a shoot with actors, a set and a film crew can cost many times as much, and it often rivals a small test flight on its own. Add the fee for whoever builds your media plan and buys the time, usually 5 to 15 percent of the airtime spend. If you'd like a sense of how public TV compares, our guide to TVP airtime pricing covers the other side of the Polish market.
Checklist
Sort out these points first, and the network or media house can give you a quote you'll actually be able to use.
Checklist
Step by step
Step 1
You define the audience, the budget and the goal, whether that's sales, brand awareness or a product launch.
Step 2
A media house or the network's sales team proposes bands, shows and a point total that fits your budget.
Step 3
If there's no finished video yet, it gets shot or edited to the broadcaster's technical specs.
Step 4
Once you approve the plan, your airings are reserved in specific breaks and programs.
Step 5
After the flight you receive a report with delivered points and the reach you actually got.
Before you start
National TV spend runs to sums that dwarf a typical online ad budget, so it pays to test the numbers and the audience before committing. If you'd rather hand the negotiation, the media plan and the production oversight to someone who has done it, order a free marketing analysis: you'll get a PDF within 24 hours, and a senior project manager with 15+ years in marketing then matches a vetted media planning specialist to your brief and stays your single contact from plan to final report. See how the matching works or look through our marketing services.
FAQ
Short answers. The free analysis call covers anything specific to your company.
Prime time is the priciest part of Polsat's day, often several times the rate of the same spot in the afternoon or at night. The exact figure depends on the weekday and the show around your break, and a live match or a season finale adds a premium on top.
A gross rating point measures reach: one point means your spot reached 1 percent of the target audience once. Campaigns are bought as point packages instead of single airings because repetition is what makes viewers notice and remember a commercial.
The practical floor is enough money for roughly 50 to 100 points in two to four weeks. Below that, most viewers catch your spot once or not at all, which rarely moves awareness or sales.
They're negotiable. The rate card is an opening position, and media houses buying large volumes commonly secure 10 to 15 percent off, more on long commitments. Direct buyers get better terms mainly by committing to a bigger package.
It depends on the format. A spot made from graphics or stock footage is the cheap end, while a full shoot with actors, a set and post-production can cost as much as a small airtime flight. Plan it as its own line, separate from media spend.
Four things drive the bill: the hour and day of airing, the length of the spot, the season (fall and the weeks before holidays cost more) and the audience. Narrow, affluent groups carry a higher price per point than broad ones.
Smaller companies can take part by focusing on regional bands, cheaper dayparts and compact point packages over a short flight. That keeps spend well below what national brands pay while still giving the spot enough repetition to register.
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